About Urban Shaman

*Above image Urban Shaman as it pretty much is today at 290 McDermot Ave location

MISSION STATEMENT
Urban Shaman is an Aboriginal artist-run centre dedicated to meeting the needs of artists by providing a vehicle for artistic expression in all disciplines and at all levels by taking a leadership role in the cultivation of Indigenous art.

VISION
Urban Shaman presents contemporary Indigenous Aboriginal art with integrity while remaining rooted in our diverse Aboriginal cultures.

MANDATE
Urban Shaman Contemporary Aboriginal Art is a nationally recognized leader in Aboriginal arts programming and one of the foremost venues and voices for Aboriginal art in Canada. Our focus on developing new programming and new ways of presenting it have resulted in increased exposure and the expansion of our activities. Urban Shaman is dedicated to the Aboriginal arts community and arts community at large.

• Committed to serving the needs of emerging, mid-career, and established Aboriginal artists through exhibitions and associated programming, workshops, residencies and curatorial initiatives.
• Dedicated to contributing to art historical and cultural critical discourses on a local, national, and international level.
• Committed to facilitating artistic production, education, and appreciation of contemporary art as an important and empowering tool for Aboriginal peoples.

Admission to the gallery is free.

Miskwaabik Animiiki / Copper Thunderbird

Celebrated Ojibway artist Norval Morrisseau was born in Fort William, Ontario, in 1932. Raised by his grandparents, he learned at an early age the teachings of his heritage from his grandfather Moses (Potan) Nanakonagos, a Midé shaman. The most widely recognized themes in Morrisseau’s artworks address the oral traditions and teachings of the Midewiwin as seen in petroglyph rock paintings of Northern Ontario. A common theme throughout his entire body of work is the exploration of spirituality, allegory, and representation. Using the narratives of the Ojibwa oral traditions, Morrisseau created a new visual vocabulary that gave many of the teachings of his people an image for the first time. However, traditionally in his culture only the shaman had the right to paint the sacred teachings, and thus his work invited criticism from the elders in his community. Morrisseau maintained that he was a true shaman, because it was the shamans who were the artists of his people:

“I am a shaman-artist… My art speaks and will continue to speak, transcending barriers of nationality, of language and of other forces that may be divisive, fortifying the greatness of spirit that has always been the foundation of the Great Ojibway.”

Morrisseau also explored other themes in his artwork, always dealing with some aspect of his own spirituality. The Christian religious iconography that he became familiar with during his childhood years at St. Joseph Catholic School in Thunder Bay, and his interest in mysticism after his conversion to the Eckankar religion in 1976, are both subjects of his art. After 1957, Morrisseau signed all of his artworks in Cree syllabics using his Ojibway name: Miskwaabik Animiiki, Copper Thunderbird. The Thunderbird and other totemic figures such as the bear, the turtle, and the snake are subjects frequently found in his work. Other common motifs include shamans, plants, animals, ceremonial processes, and spiritual creatures. By using the X-ray style that he is now recognized for, Morrisseau was able to reveal the inner soul of the figures within his paintings.

Each of Morrisseau’s pieces can be viewed as a narrative because his unique vocabulary of symbols and colours has been used to create a visual language. Morrisseau intended his art to convey the spirit of his people:

“My paintings are ... icons; that is to say that they are images which help focus on spiritual powers, generated by traditional belief and wisdom… I bring together and promote the ultimate harmony of the physical and spiritual world.”

Morrisseau’s career as an artist spanned many decades, during which time he was awarded numerous accolades: in 1978, Morrisseau was made a member of the Order of Canada, in 1986 he was acknowledged as a Grand Shaman of the Ojibwa, in 1995, he was awarded with the First Nations’ highest honor, the Eagle Feather, and in 2006 he became the first First Nations artist to have been awarded a solo exhibition at the National Gallery of Canada. However, perhaps the most significant achievement of Norval Morrisseau’s career was his ability to communicate through his artwork the richness of the cultural traditions of the Anishinabe.

To see the other half of this amazing show please visit (October 1 to December 13, 2020):

Buhler Gallery
St. Boniface Hospital
409 Taché Avenue

The Buhler Gallery is located in St. Boniface Hospital, a centre of healing, and is the first dedicated art gallery of its kind in Canada. St. Boniface Hospital recognizes the benefits of the arts in health and healing, its impact on the fabric of daily life and the community as a whole. By establishing this space, the hospital is enhancing the role of the arts in health and well-being. Open to all patients, visitors, physicians, volunteers and staff since 2007, its goal is to provide an oasis of hope, healing and contemplation by engaging visitors in high quality visual arts programming, music, panel discussions and performances.

For interviews contact:
Leona Herzog -Director/Curator, Buhler Gallery: .(JavaScript must be enabled to view this email address)
Daina Warren- Director, Urban Shaman Contemporary Aboriginal Art Gallery: .(JavaScript must be enabled to view this email address)

* SPECIAL Miskwaabik Animiiki / Copper Thunderbird tea gatherings*
Saturdays, September 12, 19 and 26th from 2-4pm
RSVP by emailing .(JavaScript must be enabled to view this email address)

Hello Friends,

With our gallery opened on Saturdays (as of Sept 11) from 12-4pm we have a special pseudo reception concept to try out during the Norval Morrisseau exhibition “Miskwaabik Animiiki / Copper Thunderbird”. Please see our attachment of the show in this email.

The gallery will be opened to the public 12-2pm for walk ins. The special part is we will have tea and dainties served from 2-4pm on Saturdays, September 12, 19 and 26 during the exhibit. Sign up for any of those dates with Liz Garlicki Outreach Coordinator at .(JavaScript must be enabled to view this email address) to secure your place for this special tea event. Maximum capacity allowed in gallery is 20 people each Saturday, during the time of 2-4pm, as precautions of COVID-19.  We highly recommend you bring your own mask, but our gallery can provide masks at $1 a piece.

As we will have tea, (obviously masks will get in the way) we ask that the 6 ft distance be maintained as a courtesy to others visiting. Service of the tea will be done by a server, who be wearing a mask and gloves when serving. We will work as best as we can to maintain your safety and we thank you for your patience during these times of uncertainty.

We hope you can make it out, enjoy some artwork, and good conversation (at a safe distance) at Urban Shaman Gallery.

Bret Parenteau “Salt Springs of Zhiishiibi-Zhiibiing”

As part of the collaborated Kindred programming (see details below)
Urban Shaman Contemporary Aboriginal Art Gallery presents:

“Zhiishiibi-Zhiibiing (pronounced “ve-sheep see-be”) which is the Ojibwe translation for ‘Duck River’ which today is known as Duck Bay Reservation. All recordings, and found sounds were taken Summer 2019 in Duck Bay, Manitoba. The album which will be performed in full and contains stories in sound. The listener will be visiting the wharf, whitefish vessels and neighbouring marshes. Hearing the tale of Father Darveau O.M.I. (seen as a windigo) mysteriously killed and found on shore. As well as joining local Metis hunters on the northwest shore of Lake Pittowinipik (Winnipegosis). The album was released by Quebec label Absurd Exposition, August 30th, 2020.”

Bio:

“Bret Parenteau is a sound artist from Winnipeg, MB, Treaty 1 Territory and Historic Métis Nation Homeland. Under the initials B.P., Parenteau has been crafting his formula of noise, field recording, sound collage & tape manipulation for the past few years. Parenteau has released a steady amount of work across Canada, US & internationally. He runs a cassette label Makade (Black) Star (formerly Male Activity from 2013-2019). Parenteau’s artwork / audio work has recently been a part of local galleries Urban Shaman Contemporary Aboriginal Art Gallery & Platform Centre. Bret is currently the Marketing Coordinator at ARP Books.”

About the Kindred programming:

Urban Shaman Contemporary Aboriginal Art Gallery, is teaming up with Wall to Wall, sākihiwē festival, and the Winnipeg Art Gallery to launch and celebrate a collaborative music and art video – kindred.

kindred will feature youth from #walltowallwpg’s dance and vocal performance mentorship, with a portion of the video produced by mentored youth and BNB Studios. This weaved together video will include performances by Eekwol and T-Rhyme presented by sākihiwē festival and Bret Parenteau presented by Urban Shaman Gallery.

TWO WAYS TO WATCH
NUIT BLANCHE / Saturday, September 26
1. Facebook Live-stream | 8PM CT (Facebook event: https://fb.me/e/15AHph9Lz)
2. Projection on WAG | 9PM – MIDNIGHT (300 Memorial Blvd, Winnipeg, MB)

The title kindred relates to “having the same belief, attitude, or feeling”, a sentiment felt throughout this collaborative partnership.

kindred is also supported by Graffiti Art Programming, Synonym Art Consultation, Manitoba Music, Royal Manitoba Theatre Centre. Miigwetch

Urban Shaman: Contemporary Aboriginal Art Gallery acknowledges the support, throughout the year, of our friends, volunteers, community and all our relations, NCI FM, CAHRD, Wawanesa Insurance, Winnipeg Foundation, Manitoba Heritage, the Winnipeg Arts Council, the Manitoba Arts Council, the Canada Council for the Arts. ~Miigwetch/ Hai Hai/ Ekosi / Merci/ Thank you